Monday, April 24, 2017

The Morning Show - Bizarro Metaphors

The Morning Show is a blog companion to the podcast audio.

Happy FRIIIIDAY!  Yo, let's check out some bizarro chords, so you too can be driving north on I-95 saying "well, this strikes me more as a sharp eleven chord."  Argue my metaphors, man!  If you're just tuning in, we've been looking at music for non-musicians this week, and how certain scenes in life can be related to with the color of music.  Hopefully this will not only help you add a dimension to your poetic outlook, but also give you a closer look at the music you love.

  We learned that if we take 7 of the 12 notes and play a scale, we get this sound.  Then, if we take certain notes of that scale, and play them all at once, we get a chord.  Selecting different notes, or modifying them, alters the chord.  Yesterday we looked at three note chords, or triads.  But, what if we play more than three notes?  If we start off with the first note of a scale, the third, the fifth...what if we add the seventh?  Sounds like this!  How about the ninth?  Like this!  By the way, when I say the ninth, I mean nine scale tones, or degrees, above where I started.  You'll notice that the triads are akin to primary colors, and the more sonic information we add, the more subtlety we invoke, and more dissonance we involve.  We can really start to mess with things and play these big fancy jazz chords like so...And here, ladies and gentleman, is that chord I was referring to driving north out of Richmond on that beautiful sunny Saturday afternoon last week.  The thirteenth chord in all it's glory.

Have a great weekend!  And see what chords you see!

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